Popovers for Winter! Tuesday, Jan 23 2018 

Jan 23, 2018

It has been WAY too long since I’ve posted! I have an almost-complete post on a major cosplay build from last year (I just need to edit the photos), and I still haven’t gotten pictures from the second quilt I made–which has been claimed by the cats, so my plan to hang it on the living room is moot! But I DO have pictures of the latest episodes in my ongoing love affair with popover tops.

First up are the tunics/dresses I made for my twin nieces:

It’s hard to tell from that picture that these are wee little toddler dresses, for five-year-olds. 🙂  I looked high and low for a children’s analogue for my favorite popover pattern, Butterick 5997:

And finally found the Oliver + S Jump Rope Dress:

I tweaked the View B dress to match my vision–omitted the pockets, changed the collars to simple bands, and gave them convertible roll-tab sleeves and shirttail hems. The fabrics are lovely cotton-blend herringbone plaids with deep saturated colors and a lovely drape. In fact, the fabric ended up looking quite a bit dressier than I was expecting, so I styled them with some black turtlenecks (it’s chilly in the Bay Area!) and belts. But I’ll bet they also look great with leggings and sneakers. 🙂

Here are a couple more pictures:

I’ve now made SIX popover type tops, and these little ones were just as fun to make as their grownup cousins. In fact, I had some of the fabric left over, so…

Yep, that’s B5997 number four! 🙂 This time I added a full collar and long sleeves with actual functional buttonholes. I made some small but significant tweaks to my sewing machine setup and–cross your fingers–it seems to have solved my ongoing buttonhole trauma! I may not need a new machine after all (although I don’t like the way the LCD screen keeps fading out on me….) I have more of the red plaid, too, but have a new pattern picked out instead.

Also, longtime friends and readers, your eyes do NOT deceive you: I have indeed whacked off all my hair. It’s gradually been getting shorter over the last six months or so, and now it’s officially the shortest it’s been in 28 years. I thought that my hair might have relaxed over the decades, maybe gotten wavy instead (it’s much thinner and finer than it was when I was young)… Nope! It’s just as curly as it was when I was five. LOL The only difference is, 38.5 years later, I love it. 🙂

Next up is a whole SLEW of cosplay sewing—Planet Comicon is in less than a month, and I am way behind. I’ll try to get the last cosplay post up before I have to write the new one.


Stitching 2016 closed… Sunday, Jan 1 2017 

31 December, 2016



This October, my mom turned 74. I made her a set of quilted placemats from an art deco-inspired jellyroll:


This was my third or fourth small quilting project, and I was slowly succumbing to what’s clearly going to be a big obsession. Only midway through Mom’s project, the ideas started brewing. Dad had a milestone birthday coming up in January—75. It was the perfect opportunity for a new project, the chance to stretch my new quilting wings and try The Real Thing. I’d make Dad a memory quilt!


One of the treasures in my stash came from Dad’s travels, this batik sarong he brought me from Indonesia almost 20 years ago:

batik scale

…And I was determined to use it as a centerpiece of the quilt.

At first I thought I’d do a traditional memory quilt, incorporating photos transferred onto fabric, but decided against it. It’s hard to coordinate the collection of other people’s photos, for one thing; and I couldn’t find a style that really appealed to me for this occasion; plus it’s fussy, potentially imperfect work—an additional challenging step in an already whole new skill set.

And also, I found enough memory-provoking quilting prints to make the photos unnecessary!


Thanks to the batik sarong, and the batik giraffe print from last year’s quilted sofa caddy, I had a color scheme: gold, navy, cream, dark brown, dark red, along with a splash of aqua that cropped up in other fabrics.

I set off to hunt down quilting prints reminiscent of Dad’s life and career as a journalist, college professor, and international educator. They make quilt prints for everything, after all!


Meanwhile, I needed a beginner-friendly pattern that would showcase the novelty fabrics. First I found this cheerful freebie, Cottage Mama’s Charm Jelly Roll Friendship Quilt:

I loved the modern design, the way each block was like a frame, and the piano key border. …But my fabrics didn’t like it as well. Digital mockups using some of my chosen fabrics weren’t working. Then I stumbled onto the Market Street Quilt from Quilts by Emily, and was instantly smitten:

The digital pattern is available on etsy and Craftsy. Those wonderful blocks turned out to be created by a super-secret method (well, to me, anyway! Experienced quilters probably spotted it right away): great big Nine Patch blocks, assembled and then sliced apart again and rearranged:


Arranging those Nine Patch blocks was the biggest challenge! I had selected a lot of novelty prints, and making sure I had a good balance of color, scale, and busy-ness, so the prints complemented each other instead of competing… Well, OK, that was probably half the fun of the whole project.

Since the blocks were going to be broken apart and rearranged, I found that looking at the Nine Patches as a whole confused me. So I rigged up a “mask” to block off everything but the finished quadrant (EXTREMELY high tech; definitely don’t attempt this without professional guidance–snork! It’s a block of foam and a used Color Catcher sheet from pre-washing the batik.):


…And then I photographed everything. I could look at the blocks with my naked eye and go, “Eh. I dunno.” But on my phone, it was immediately obvious whether I liked them or not. (You can see this block, top row center, below.)


Sashing for the first two rows

After the design phase was complete, sewing the blocks, then the rows, then the whole quilt top together went remarkably swiftly! I started cutting the first week of November, and finished the quilt top on Thanksgiving morning. (This was during NaNoWriMo, by the way! The quilt was a nice distraction from the writing… and vice versa! When one project started to hurt my brain, I switched gears.)

After that, it was on to backing, batting, and basting! I used a pieced backing (because I didn’t have enough of the blue ticking stripe) and Hobbs Heirloom 80/20 batting.


As a novice quilter, I wasn’t bold or foolish enough to try free-motion quilting, but my walking foot and the serpentine stitch on my sewing machine came to my rescue. Quilting (as in the actual quilting, sewing the quilt sandwich together) feels very similar to making corsets to me–all those long straight lines, over and over. But a throw sized quilt is a lot harder to wrangle than a wee tiny corset! I may have an extension table on my wish list now.

The quilting thread (top) is a variegated cotton thread from Coats called Sandstone:


And it gives the whole quilt a wonderful allover texture similar in feel to the lovely meandering from the pattern sample:


Woo-hoo! I never, ever thought I would be interested in making a quilt—all that cutting, all those fussy tiny pieces to sew together, all that time… Well, who knew? It’s actually a blast—like playing in a box of crayons made of fabric. Like being 7 years old, watching “Betty Lou’s Magic Window” and making paper chains with construction paper, Dad’s stapler, and magic markers. And it went so fast! It’s pretty safe to say I’m hooked.

Fabrics Used

Although the following images were clearly grabbed from the Internet, I was lucky enough to find all but a couple of these fifteen prints at local brick & mortar quilt shops!

Tim Holtz Eclectic Elements

Tim Holtz Eclectic Elements “Airmail Stripe” Used for the patchwork, pieced backing, and binding.

Tim Holtz Eclectic Elements Airmail Labels

Tim Holtz Eclectic Elements “Airmail Labels”

These two caught my eye right away, and set the theme for the whole design. I remember eagerly waiting for letters from Dad bearing that distinctive Par Avion stripe on the envelopes. At the very last minute, I had second thoughts about the striped binding, but I love how it turned out. It adds just a little extra pizazz, and the whole quilt now looks like international mail—just exactly like I hoped.

Tim Holtz Eclectic Elements

Tim Holtz Eclectic Elements “Expedition”

I loved the colors in this—the background is a sort of beige-aqua—but it had a surprise I didn’t even discover until I was almost done with the very last rows of quilting. Hidden in tiny letters in one block, is the name of the city where we lived in Ecuador:

Guyaquil, Ecuador--home sweet home in 1984

Guyaquil, Ecuador—home sweet home in 1984

Tim Hotz EE

Tim Hotz EE “Ticking Stripe” Backing

Timeless Treasures Safari

Timeless Treasures Safari “African Map”

This is one of my favorite prints—the colors are just gorgeous, the rich golds shading into deep red, the accents of dark blue in the silhouettes of the baobab trees and elephants… beautiful. Dad has been to Africa many times, all over the continent, and many of the countries he’s visited most often, like Uganda and Nigeria, are specifically marked on this print. It pretty much covered everything.

Tim Holtz EE

Tim Holtz EE “Stamps” in Neutral

Dad’s father was a Linotype operator, and this amazing print of letterpress tiles was a must-have! The blue version I used is very hard to find, but the black (neutral) one shown here is still readily available. They look just like the real thing… except for one pesky detail. They’re backward. (The stamps should read in reverse as we look at them.)

Kensington Studios

Kensington Studios “Amazing Grace Lyrics”

Like I said, they make quilting prints for everything. Even the lyrics to your dad’s favorite song!

Paintbrush Studios Tribal Council

Paintbrush Studios Tribal Council “Allover Giraffes”

This print is getting hard to find now; etsy might be your best bet (that’s where I got mine last Christmas).

Carrie Bloomston Story

Carrie Bloomston Story “Indigo Newsprint”

Paintbrush Studios Cityscapes

Paintbrush Studios Cityscapes “Newspaper”

Dad’s career in journalism included covering Washington, DC, during Watergate, for Voice of America. But the really perfect thing about this print? It has my birthday in it!


I don’t have bolt-end info for the raccoon fabric; CJ found it in the shop where we bought the Expedition map fabric. But I snagged the image from this etsy listing. Our family surname is Coon (it’s the C. in Elizabeth C. Bunce), so this was kind of a natural.

Collegiate Cotton Broadcloth

Collegiate Cotton Broadcloth “Iowa State Block Print”

Kaufman Dream Vacation

Kaufman Dream Vacation “Tossed Postcards”

Dad’s favorite city in the whole world is Rio de Janeiro, so I was thrilled to find this print featuring a poster (not postcards!) of Christ the Redeemer. Shown here is the “bright” colorway; a local quilt shop had the “vintage” color I wanted, which has more of the warm tones and the aqua. (But I’d have bought this one anyway if I had to!) I was really glad to find this in person, because it was hard for me to judge the scale (even with the ruler). I knew I’d be fussy cutting and wanted as many Rio repeats as I could get.

Kaufman Studios Let Me Entertain You

Kaufman Let Me Entertain You “TV Variety Retro”

Nobody loves the medium of television more than my dad. From his early-adopter sci-fi fandom (The Twilight Zone and Star Trek were comfort TV in my house growing up!), to his career in broadcasting, and beyond, TV is a big part of my memories of Dad. And this print of the evolution of TV models (see the flat screens?!) had all the right colors. The background looks like a rich cream in the online images, but it’s just barely off-white (I had to check the selvages to make sure it wasn’t white!).

Oh! I nearly forgot!

Moda Rustic Weave

Moda Rustic Weave

After all those glorious novelty prints, one of my favorites is the sashing fabric. It was actually the very first fabric I bought, in the first shop I walked into. It reminds me of coffee bags, and ties together the world travel theme. I joked with the shopkeeper, “I’m looking for a beige… with some more beige!” But it’s true! It’s the most beautiful beige fabric ever. Although the photos make the Rustic Weave look creamier and pinker, and the Indonesian batik golder and brassier, they’re actually a dead perfect match for each other. There are a couple dozen or so Rustic Weave shades, and I truly don’t know which color this one is.


SQUEE!!! I made a quilt!!!!

…And I can’t wait to make another.






































Some recent pictures, so it feels like I’m actually doing something… Monday, Feb 22 2016 

grandma flint 1

Senior Supermodels: Flint and Grandma posing

In my last update, I mentioned I hadn’t blogged much because some of my handmade Christmas gifts were still delinquent. (Well, I would describe the recipients as delinquent, but whatever. They didn’t have their presents, so you didn’t have any pictures.) This weekend, my parents finally rescheduled the Christmas/New Year’s visit they had previously canceled (yes, they went to visit my aunt and my brother/nieces instead. That’s two separate trips, btw, from the very center of the country to each opposite coast. We live 3.5 hours away. Just sayin’.)

At any rate, I was finally able to grab some good “action” shots of the things I made, and I also have a picture brought back from one of Those Other Trips to share, as well (so I can’t begrudge them too much. We had a lovely belated Christmas, and I didn’t even have to cook. Win.)

So… chronologically: Last Christmas, I made my mom a wool walking cape, but never got a picture of her in it. Despite the fact that our temps over the weekend topped out around 75 degrees, Mom gamely donned the cape for me. Doesn’t she look amazing?!

Mom cape small

The finished cape looks absolutely smashing, but for some reason I really struggled with the construction process. Which, inevitably, meant that when it came time to think about Christmas gifts the following year, my natural thought was, “Hey, I’ll make MORE of those awful things I hated so much!” Because that makes sense.

…Except shrink-rayed. Et voila:

twins capes edit

My nieces, almost holding still long enough for Grandpa to take their picture in their new “ponchos.”

Teeny-tiny toddler twin versions!! It really is the same pattern, it just comes in adult and children’s sizes, so grandmas everywhere can have Mini-Mes. (Mini-them?) The children’s version is Oliver + S’s Forest Path Cape, and the adult version is the Woodland Stroll Cape, from adult-side line Liesl & Co. Lots more to cover in this post, so if you need more details about those wee darling things, see my post at Pattern Review. There are some more pictures of the capes, but this is the only one I have of the girls in them. (Thanks, Dad!!)

The next project up was a total dark horse for me. I was so enmeshed in Project 41 Thinking (and other assorted life drama), that I honestly could not come up with normal Christmas present ideas for everyone in my life. My folks are in their 70s now, and my dad’s birthday is in January, and it’s getting harder and harder to think of new things, so I wind up in a rut of book, book, book, CD, book, book. Well, this year I decided to do something Wildly Different, and make him something.

Dad sofa caddy

(Pssst—this is the first thing I’ve made my dad since a clay otter in 5th grade. Which he still has. Despite my short-lived, clearly illustrious career as a potter.)

It’s a sofa caddy! Specifically, the Five Pocket Sofa Caddy from this Sew 4 Home Tutorial. Dad is a semi-retired journalism professor who still teaches media workshops all over the world. When he’s not lecturing in Mozambique or Croatia, he’s entrenched in his favorite armchair, emailing us weird news clippings. And he has a thing for giraffes. This seemed like the perfect handmade gift, because a clay giraffe will not be forthcoming.

caddy loaded

The fabrics for this were so fun!  The great giraffe print and coordinating orange are from “Tribal Fusion” by Paintbrush Studio, and came from my favorite etsy quilt shop, Meandering Thread (waves to Iowa!). My parents’ decor is a mix of mission style and world travel souvenirs, and I thought this would fit right in, without screaming GIRAFFES! the way a lot of prints do.

This was my FAVORITE thing I made last year, and I made a lot–A LOT!–of things! (My tally since my birthday in July is 34!) I had more fun putting this together, from choosing the fabrics to doing the surprise quilting (had I read the instructions more carefully….), to finding that perfect-match binding in my stash, to the really professional results. And the kicker? It took a day. A DAY! One day. The whole day, but even so! It looked completely fussy, and I was putting it off, then finally sat down to just cut out the fabrics… and then got completely sucked in. It was like the Nutter Butters CJ just brought home–I could not tear myself away from it.

A back view, because I’m still crushing. And a link to more details on the construction, if you care.

caddy back

I am thrilled to say that Dad loved it, too. Even before he knew I made it!

LASTLY (no, really, I promise!) is another topper for Mom. I liked how she looked in my version of McCall’s 6844 so much, that I decided to make a version for her, from some darling glen plaid knit. Of course, I got carried away while making it, and decided it needed petite alterations, and some menswear-inspired suede elbow patches and collar:

mom tree

I have those shoes, too. Easy Spirit Traveltime in houndstooth. (Also a Christmas gift!) That gorgeous necklace? She gave it to me.

glen plaid cardi back

cardi side view

This is View A, the shorter version without the peplum. I love the subtle shaping at the hemline–just a little longer in the back, without being overwhelming. Like many other people, Mom and I aren’t crazy about the weird way the collar band falls; she’s thinking about tacking it down (as others have done). For my first attempt at fitting Mom (without her mmx, no less!!), I think it’s OK. For future versions, I wouldn’t do the petite length alterations (she’s mostly petite in her limbs, not her torso), but I would shorten the arms even more, and increase the biceps width still more. The top she has on underneath is bulkier than she’ll normally wear with this, and it’s tugging the sleeves off her shoulders a bit.

Overall, though, it’s a big hit, and I heard that it was going to Lunch With the Ladies today.


That’s pretty much it! I have been tinkering a bit with more on the big Historical Sewing Fortnightly Year-Long Project, which I’m still not quite ready to reveal, but you can have a couple teaser pix:

catalina embroidery sample snip

cords WIP

Spring & Summer Sewing & Introducing Project 41 Tuesday, Jul 14 2015 

I have been so busy the last couple of months–back at work trying to FINALLY finish The Book That Won’t End (Since The Neverending Story has been taken), scurrying about taking care of Family Medical Drama (another thing that won’t end, but it is what it is, so), joining guilds left and right… and SEWING! So much sewing! In April I got a new serger, a Really Nice One, and have been experimenting with knits and mundane clothing!

I made a tunic, New Look 6323:

NL Tunic Montage

(More info here)

…And a lace maxi skirt (my first foray into squidgy linings, and it really wasn’t that bad), New Look 6288, sort of:

NL maxi skirt

And some tarted-up kitchen towels for my MIL. There was actually a third one, in turquoise, but evidently I didn’t feel it necessary to photograph it (?):

Judy Towels edited

And a tote bag that had been a tea towel:

Tea Towel Tote Bag

…And a couple other things that rightfully deserve their own posts (and having written that, I’ve typed the death knell for those posts! Ha!).

But another thing that I did… was turn 41 (see wrapped-up presents in the tote bag staging!). I didn’t really do anything momentous last year, to commemorate turning 40 (unless you count losing 20 lbs, becoming a runner, and buying a new washer/dryer)… so this year I wanted to challenge myself (because my life is way too easy, HA!). In between Epic Costume Projects, I’ve been squeezing in fun little makes here and there, and they are so rewarding! I want more of that in my sewing life. And I want to be freer, bolder, and more experimental overall. Sewing is a good way to practice all of those Valuable Life Skills (and also math, which I hear is useful sometimes), so I am setting myself the ambitious challenge of sewing 41 projects this year (July 3, 2015 — July 2, 2016). To those of you who whip up a zone-front gown in a morning, this will sound like nothing. But I normally get in about a dozen projects, if I’m lucky. This will require me to churn out 3.5 things every month. It will mean lots more smalls (!!!), and lots less second-guessing and talking myself out of things before I get started. And possibly also some creative math. Ahem.

I have tons of stuff lined up already, and my very first Completed Project 41 Make to share! I finished this last week, about 6 days in to the year:


The World-Famous McCall Peplum Cardi! (6844). What a super-quick project, and a great inauguration to the challenge!

It’s made from some scrumptuous sweater knit I accidentally ordered from Fabric Mart. I was at an outdoor party one recent chilly evening, when I was struck with an overwhelming urge for a fancy little cardigan to toss over party clothes. A gold one. So I ordered what looked like sparkly gold fabric from FM, but got this interesting salt-and-pepper stuff instead:

FM silver sweater knit

It’s OK… I never wear grey, but I look terrible in gold anyway, so it all worked out.

And now, the week is ticking away on Project #2 (a quilted petticoat for an upcoming cosplay event), and 3 (some pillows for my mom), so I should go. And there’s that book thing going on, too, so. Back in a few with the next project!